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Glass blowing is one of the most fascinating crafts, both to practise and to
watch. It comes close to magic as the blower precisely judges the heat of the
glass while rolling, blowing and turning the hot, soft blob into a hard, bright
and elegant object.
Origins
The ancient Babylonians and the Egyptians were the first to make glass. It is
a combination of two materials, silicates and fluxes. Silica is a mineral found
in many substances including sand. The flux is vital because the normal melting
point of silica is 3000'f - which would be impossible to work. The flux allows
the silica to be worked at a much lower temperature. As with many crafts the
materials originally used were chosen partly for their suitability and also
simply because they were available. For instance, the Romans used soda ash, the
English flints and the Germans potash.
For thousands of years glass was only moulded into shape by pressing it over
a clay form that sometimes had a raised pattern on it. The Egyptians were the
first to make sheet glass, but it was a laborious process - involving moulding a
cylinder and cutting it open - and only small pieces could be made at a time. It
wasn't until the invention of glass blowing that working glass became a major
craft.
Historians are unsure whether glass blowing was discovered by accident or
invented. The molten glass was always held on rods and some of them may have
been hollow. An inquisitive desire to see what happened if you blew down the
hole in the rod may well have sparked off the craft.
 Basic Techniques
The basic technique of glass blowing has changed very little. Modern glass
blowers still work in teams, or at least in twos, in just the same way as their
predecessors. The slang word for a boss 'gaffer,' is the proper term for a
master blower in charge of a work shop or team. He carries out the most
difficult parts of the glass blowing process.
It is begun by the 'footmaker' who rolls the first glob of molten glass on
the end of the blowing iron, judging how much to take from the furnace to make a
wine glass, a decanter, or whatever the job in hand may be. He rolls it in order
to thin it out. At this and every stage the skill lies in judging the
temperature of the glass from its colour and its consistency. The knack is
always to have it at the right heat for a given process. At the beginning it is
just viscous enough to stick to the rod.
Another member of the team will take the rod and blow quickly into it to
create the bubble or 'parison.' While it is molten the glass naturally tends to
form a drop towards the floor. The blower constantly turns the rod to counteract
the gravity ' sometimes throwing it from hand to hand like a drum majorette'
Sometimes pieces are made entirely through ' free blowing' like this. Others
are mould blown, a hinged mould is placed on the floor so that the craftsmen can
blow steadily down into it. It can be opened and closed by foot.
Once a basic shape has been created the glass is passed to the gaffer for
finishing. He or she sits on a special chair with long arms, across which the
blowing rod can rest and be rolled back and forth to keep the shape even.
Extra glass is brought to the gaffer which he, she adds, shaoing the whole
piece with a variety of old fashioned tools. The mark, like a dimple, under the
feet of many wine glasses shows the point where the blowing tube was attached.
Like pottery, glass has to be cooled gradually so that it is not too brittle.
This is called annealing and takes place in the kiln.
Over several hours the temperature is lowered so that the glass can set
properly.
Glass blowing can be dangerous - please do not attempt unless you are
properly supervised or trained.
Courses
If you offer glass blowing courses / evening classes / demonstrations -
please contact us to advertise your details here.
Although it takes many years to achieve the skill of a gaffer, almost
everyone who watches a demonstration will want to have a go themselves.
Due to the technical complexity and expense of running a furnace there are no
evening classes.
However, some craftsmen may open their workshops for an
occasional evening
to learn 'Lamp work' - where small scale work, in which the glass is melted over
a flame. This method is popular for making small ornaments or glass animals.
if you are inspired to become professional glass blowing, you could also
consider a trade apprenticeship.
To learn proper glass blowing techniques the best starting point is to
contact polytechnics / art schools / workshops to see if they have any organized
courses.
Glass
Courses
Kinghorn Glass Studio Schedule Sept - Dec 2008
6 week evening class 18th Sept - 23rd Oct
6 week evening class 6th Nov -11th Dec
Wednesdays 1-4
24th Sept. 8th, 22nd Oct. 5th, 19th Nov. 3rd, 17th Dec.
Saturdays 11-3
20th Sept. 11th Oct. 8th Nov. 13th, 20th Dec.
Weekend workshops 10 - 4
27th & 28th Sept. 25th & 26th Oct. 29th & 30th Nov.
For any further information please call Carole on;
01592 890248
07882216296
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